Johnny Cash Photo: Associated Press / 1969

  A never-heard Johnny Cash live album from 1968 recorded by longtime Grateful Dead associate Owsley “Bear” Stanley in San Francisco is set for release on Sept. 24, the late country icon’s label announced on Thursday, June 24.

  Cash’s “At the Carousel Ballroom, April 24, 1968” was recorded at a venue operated by members of the Dead and Jefferson Airplane days before the release of his best-selling live album, “At Folsom Prison,” and six months before the arrival of its storied follow-up “At San Quentin.” The forthcoming release serves as another potent document of Cash’s imperial phase, featuring a setlist that drew from his jailhouse favorites like “I Walk the Line,” “Long Black Veil” and “Ring of Fire,” alongside a pair of Bob Dylan covers (“Don’t Think Twice It’s Alright,” and Cash’s earliest known recording of “One Too Many Mornings”), as well as some of his own deep cuts? such as “The Ballad of Ira Hayes.”

  “Going to Memphis,” the first song released from the set, is a cover of a Black chain-gang chant that was first recorded by Cash in 1959.

  “It is genuinely different from any Johnny Cash show from that era,” Dennis McNally, Grateful Dead publicist and historian, told The Chronicle. “It was just Johnny, June Carter Cash and the Memphis Three doing a Nashville country spectacular in front of 700 hippies on a Wednesday night.”

  The live album, which will be released on CD and as a double vinyl set, features new essays by Johnny and June Carter Cash’s son John Carter Cash, and Stanley’s son Starfinder Stanley, Grateful Dead’s Bob Weir and Widespread Panic’s Dave Schools, as well as new artwork by Susan Archie.

  “At the Carousel Ballroom” also includes a reproduction of the original concert poster by Steve Catron.?

  Stanley, who created the first public address system specifically dedicated to music in 1966 and was responsible for the Dead’s signature Wall of Sound, created a live album that stands in contrast with Cash’s popular prison recordings, the singer’s voice mixed entirely in the right channel and his band the Tennessee Three on the left channel.?

  “When you hear this, you feel like you are on the stage with the band,” Starfinder said in a statement.?

  Indeed, McNally said it was more intimate than the usual Cash show of the era.

  “Bear really knew how to make live recordings and he did his usual stunning job with one of the great American voices,” he said.

  1. “Cocaine Blues

  2. “Long Black Veil

  3. “Orange Blossom Special (CD and Digital only)

  4. “Going to Memphis

  5. “The Ballad of Ira Hayes

  6. “Rock Island Line

  7. “Guess Things Happen That Way

  8. “One Too Many Mornings

  9. “Don’t Think Twice, It’s All Right

  10. “Give My Love to Rose

  11. “Green, Green Grass of Home

  12. “Old Apache Squaw

  13. “Lorena

  14. “Forty Shades of Green

  15. “Bad News

  16. “Jackson

  17. “Tall Lover Man

  18. “June’s Song Introduction

  19. “Wildwood Flower

  20. “Foggy Mountain Top

  21. “This Land Is Your Land

  22. “Wabash Cannonball

  23. “Worried Man Blues

  24. “Long Legged Guitar Pickin’ Man

  25. “Ring of Fire”

  26. “Big River”

  27. “Don’t Take Your Guns to Town”

  28. “I Walk the Line”

  Aidin Vaziri

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  Aidin Vaziri

  Aidin Vaziri is The San Francisco Chronicle’s pop music critic. Email: avaziri@sfchronicle.com Twitter: @MusicSF

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